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[interpretation of drawings by Etienne Boullée]
Etienne Boullée: Piramid Cenotaph
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Etienne Boullée: Newton Monument, 1790
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[interpretation of drawings by Etienne Boullée]
Etienne Boullée: temple of nature
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[interpretation of drawings by Etienne Boullée]
Etienne Boullée: temple of the equality
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[interpretation of drawings by Etienne Boullée]
Etienne Boullée: temple of the earth
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[interpretation of drawings by Etienne Boullée]
Citroën DS: top and view
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[reinterpretation of drawings]
Albert Breschi, Roberto Pecchioli, Giuliano Fiorenzoli, Ziggurat, Linear City Florence, 1969
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[reinterpretation]
Vivian Maier: untitled [slide]
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[reinterpretation of photo by Vivian Maier]
BIG Bjarke Ingels: Mountain-Bjerget: color & grey
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[reinterpretation of photo’s]
BIG Bjarke Ingels: Mountain-Bjerget: aluminium & wood’
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[reinterpretation of photo’s]
BIG Bjarke Ingels: Mountain-Bjerget: aluminium & wood
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[reinterpretation of photo’s]
De Vylder Vinck Taillieu: house Alexis: plan & section
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[reinterpretation of drawings by dvvt]
De Vylder Vinck Taillieu: house Alexis: main volume & roof: day
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[reinterpretation of photo’s by Filip Dujardin]
De Vylder Vinck Taillieu: house Alexis: main volume & roof: night
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[reinterpretation of photo’s by Filip Dujardin]
Meteo icons
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[reinterpretation of graphics]
René Magritte: Night & Day
“This evocation of night and day seems to me to have the power to surprise and delight us. I call this power poetry”
[quote by René Magritte]
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René Magritte: The Interpretation of Dreams (2) 1927
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[reinterpretation of painting]
René Magritte: The Castle of the Pyrenees 1959
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[reinterpretation of painting]
René Magritte: The Anger of Gods 1960
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[reinterpretation of painting]
René Magritte: Good Fortune 1939
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[reinterpretation of painting]
René Magritte: Clear Ideas 1958
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[reinterpretation of painting]
René Magritte: Applied Dialectics 1945
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[reinterpretation of painting]
René Magritte: Empty Mask 1928
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[reinterpretation of painting]
René Magritte: Empire des Lumières 1950-1954
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[reinterpretation of painting]
René Magritte: La Trahison – The Treachery 1929
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[reinterpretation of painting]
Kenneth Frampton: vitality & calm
“The task of our time is to combine vitality (the new) with calm (the existing)”
[from FRAMPTON Kenneth, Studies in Tectonic Culture, MIT, Cambridge]
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Peter Mendelsund: Albert Camus
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[reinterpretation of book cover]
Peter Mendelsund: Black Jack
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[reinterpretation of book cover]
She & Him: poster
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[reinterpretation of poster]
Neutelings Riedijk: At Work: air & gravity
“Buildings need to be extricated from gravity. While the earth pulls everything towards it, the architect does his or her best to achieve the opposite. We feel that buildings should not make a show of the interplay of forces. They schould not arrogantly give the impression of being lighter than air, nor triumphanthly celebrate their victory over gravity with expressive columns. … we piece together sturdy buildings with smart though unadvertised constructions, gigantic cantilevers for example.”
[from Neutelings-Riedijk, At Work, 010, 2005]
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Jean-Pierre Jeunet: Amélie
“Le Fabuleux Destin d’Amélie Poulain” is a 2001 romantic comedy film directed by Jean-Pierre Jeunet. Written by Jeunet with Guillaume Laurant, the film is a whimsical depiction of contemporary Parisian life, set in Montmartre. It tells the story of a shy waitress, played by Audrey Tautou, who decides to change the lives of those around her for the better, while struggling with her own isolation.
[from http://www.Wikipedia.org]
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[reinterpretation of stills]
Katsushika Hokusai: Ehon kyoka yama mata yama
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[reinterpretation of ‘Ehon kyoka yama mata yama’ By Oharatei Sumikata Illustrated by Katsushika Hokusai Toto Tsutaya Juzaburo, 1804]
Asics: What’s left without right: ip & down
[UP]: left >< [DOWN]: right
[Interpretation of advertising for Asics, by Amsterdam Worldwide, 2012]
Peter Greenaway: The Belly of an architect: poster
dark border [UP] >< light border [DOWN]
[reinterpretation of poster of the movie ‘The Belly of an architect’ by Peter Greenaway, 1987]
Arne Jacobson: room 606 Radisson Sas Copenhagen
blue (and a litte brown) [UP] >< brown (and a little blue) [DOWN]
[reinterpretation of photos of room 606 by Arne Jacobsen]
Hand vertical & horizontal
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[reinterpretation of photos]
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