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[interpretation of drawings by Etienne Boullée]
Etienne Boullée: Piramid Cenotaph
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Category Archives: Sculpture / Plastic Art
Etienne Boullée: Opera Theatre
stage [LEFT] >< audience [RIGHT]
[interpretation of drawings by Etienne Boullée]
Etienne Boullée: Newton Monument, 1790
day [UP]
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night [DOWN]
[interpretation of drawings by Etienne Boullée]
Etienne Boullée: temple of nature
culture: smooth [UP]
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nature: raw [DOWN]
[interpretation of drawings by Etienne Boullée]
Etienne Boullée: temple of the equality
vertical: section [UP]
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horizontal: plan [DOWN]
[interpretation of drawings by Etienne Boullée]
Etienne Boullée: temple of the earth
sky [UP]
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earth [DOWN]
[interpretation of drawings by Etienne Boullée]
De Vylder Vinck Taillieu: house Alexis: models
6 x model: [6 x KAIROS]
[reinterpretation of photo’s of models]
Joseph Kosuth: One and Three Chairs
“One and Three Chairs, 1965, is a work by Joseph Kosuth. An example of conceptual art, the piece consists of a chair, a photograph of this chair, and an enlarged dictionary definition of the word “chair”.”
[from http://www.Wikipedia.org]
binary text and drawing [LEFT] >< continuous photo and reality [RIGHT]
[reinterpretation of another reinterpretation [from http://samuelmccune.com%5D of photograph of installation by Joseph Kosuth]
Kit White
“Eliminate the nonessential. Every work of art should contain whatever it needs to fulfill its decriptive objective but nothing more. Look at the “leftover” parts of every composition. Successful images have no dead spaces or inactive parts. Look at your compositions holistically and make sure that every element advances the purposes of the whole.”
[quote from White Kit, 101 Things to Learn in Art School, MIT, Cambridge Massachussets, 2011]
Alex Van Gelder: Louise Bourgeois
rightup: zoomout: Louise [WHOLE] >< leftdown: zoomin: enlarged selfportrait? [PART]
[interpretation of photo by Alex Van Gelder, 2012]
Anatol Herzfeld: Insel Hombroich: waiters in grid
rightup: trees in grid [WHOLE] >< leftdown: waiters in grid [PART]
[reinterpretation of photos of waiters by Anatol Herzfeld]
Ackermann: reflektion
leftdown: mirror [PART] >< rightup: mirror of mirror of mirror… [WHOLE]
[reinterpretation of installation by Ackermann]
François Morellet: horizontal & vertical
Horizontal [UP] >< Vertical [DOWN]
[reinterpretation of painting by François Morellet]
John Baldessari: Concerning Diachronic/Synchronic Time
culture [LEFT] >< nature [RIGHT]
[reinterpretation of installation ‘Concerning Diachronic/Sunchronic Tim: Above, On, Under (with mermaid) by John Baldessari, 1976]
David Nash: Two Ubus
“Two Ubus were inspired by a pair of asymmetrical shapes [man? on the LEFT >< woman? on the RIGHT] that Nash saw in one of Mark Rothko’s Seagram murals. They were titled after a suggestion by a student working with Nash who was reminded of Ubu Roi, an absurd character from the play ‘Ubu the King’ invented in the 1890s by the avant-garde satirist Alfred Jarry.”
[info from http://www.kew.org, 2012]
[reinterpretation of sculpture ‘Two Ubus’ by David Nash, 1988]
Antoni Gaudí: Casa Milà: warriors
KAIROS LEFTUP = KAIROS RIGHTDOWN?
[reinterpretation of photos of an african mask, of Star Wars Stormtroopers, and of chimneys on the casa Milà, by architect Antoni Gaudí, Barcelona, 1910]
Antoni Gaudí: Casa Milà: waves
KAIROS LEFTUP = KAIROS RIGHTDOWN?
[reinterpretation of photos of sand, of a hotel in Barcelona by Toyo Ito, 2009, and of the casa Milà, by architect Antoni Gaudí, Barcelona, 1910]
Antoni Gaudí: Casa Milà: grey >< color
greyish [LEFT] >< colored [RIGHT]
[
[reinterpretation of photos of casa Milà, by architect Antoni Gaudí, Barcelona, 1910]
Gordon Matta-Clark: Splitting
wooden top: stereotomic: fragile [UP] >< stone base: tectonic: solid [DOWN]
[reinterpretation of photo by Gordon Matta Clark, 1974]
Gordon Matta-Clark: Office Baroque, Antwerp
void [UP] >< solid [DOWN]
[reinterpretation of photos and drawings by Gordon Matta Clark, 1977, as published in Gordon Matta-Clark, ed. Diserens Corinne, New York, Phaidon, 2003]
Gordon Matta-Clark: Bingo
before [RIGHTDOWN] >< after [LEFTUP]
[reinterpretation of photos of Bingo by Gordon Matta Clark, 1974, as published in Gordon Matta-Clark, ed. Diserens Corinne, Phaidon, New York, 2003]
Gordon Matta-Clark: Bingo zoom
before [RIGHTDOWN] >< after [LEFTUP]
[reinterpretation of photos of Bingo by Gordon Matta Clark, 1974, as published in Gordon Matta-Clark, ed. Diserens Corinne, Phaidon, New York, 2003]
Gordon Matta-Clark: W-Hole House, Bronx
void [UP] >< solid [DOWN]
[reinterpretation of photos of W-Hole House by Gordon Matta Clark, 1973, as published in Gordon Matta-Clark, ed. Diserens Corinne, New York, 2003]
Montjuic Barcelona: small courtyard
rightup: zoomout [WHOLE] >< leftdown: zoomin [PART]
[4 photographs of small courtyard on Montjuic, Barcelona]
Gordon Matta Clark: Circus: up & down
upper floor [UP] >< lower floor [DOWN]
[interpretation of drawings and images of ‘Circus or The Caribbean Orange’, Gordon Matta Clark, 1978]
Gordon Matta Clark: Splitting: detail
upper floor [UP] >< lower floor [DOWN]
[interpretation of images of ‘Splitting’, Gordon Matta Clark, 1974]
Gordon Matta Clark: Circus: plan & experience
plan & section [LEFT] >< experience [RIGHT]
[interpretation of drawings and images of ‘Circus or The Caribbean Orange’, Gordon Matta Clark, 1978]
Gordon Matta Clark: Splitting
upper floor [UP] >< lower floor [DOWN]
[interpretation of images of ‘Splitting’, Gordon Matta Clark, 1974]
Gordon Matta Clark: 4 Way Wall
4 way wall > 4 different illuminations [4 x KAIROS]
[interpretation of 4 photos of ‘Bronx Floors: 4 Way Wall’, Gordon Matta Clark, 1974]
Michael Johansson: Rubiks Kok: warm & cold
warm [UP] >< cold [DOWN]
[interpretation: manipulated and reframed composition of installation by Michael Johansson: Rubiks Kok, 2007]
Michael Johansson: recapturing a contemporary past
4 x past [4 x KAIROS]
[interpretation: manipulated and reframed composition of installation by Michael Johansson: Recapturing a contemporary past, 2011]
Michael Johansson: chairs
red or white [LEFT:seriel] ><nuances [RIGHT:parallel]
[interpretation: manipulated and reframed composition of installation by Michael Johansson: Echoing shades, 2011; Frozen belongings 2010]
Jimmie Durham: La Malinche
thinking [LEFT] >< feeling [RIGHT]; or is it vice-versa
[Jimmie Durham: La Malinche, 1992]
Michael Johansson: Rubik’s Curve: colors
black and white [COLD] >< colors [WARM]
[interpretation: manipulated and reframed composition of installation by Michael Johansson: Rubiks Curve, 2010]
Michael Johansson: Box Office: colors
4 x color [4 x KAIROS]
[interpretation: manipulated and reframed composition of installation by Michael Johansson: Box Office 2011]
Anish Kapoor: Orbit Tower >< Tower of Babel
[KAIROS RIGHTUP] = [KAIROS LEFTDOWN]
[KAIROS LEFTUP] >< [KAIROS RIGHTUP]?
[LEFTUP KAIROS]: Orbit tower by Anish Kapoor and Cecil Balmond: perspective
[KAIROS LEFTDOWN]: drawing of Monument to the Third International Vladimir Tatlin
[KAIROS RIGHTUP] = Embedding of the Tatlin tower into a real landscape in St-Petersburg, as shown on the video “London 2012 Olympics: first view from the ArcelorMittal Orbit tower – video” on http://www.guardian.co.uk
[KAIROS RIGHTDOWN]: Oil painting by Tobias Verhaecht (1561-1631)
Link between the 3 towers as suggested by the authors Anish Kapoor and Cecil Balmond in the interview with Jonahtan Jones on www.guardian.co.uk
INTEGRATED 4x 